![]() It only made $3.7 million but then Spiderman Across the Spiderverse made $42.5 million even though Miles was the main attraction.Īll in all, I'm not saying either side is right, but there are people that refuse to see anything they picture as "woke" which is why Mario SMASHED it at the box office. Like in China they didn't see it, and people said they were racist for not wanting a black mermaid, but it wasn't that, they just thought it was stupid. And how the Little Mermaid remade did poorly (Still made a ton of money) but people automatically called others racist for not being cool with race swapping. I just look at how marvel movies are doing now, and they are going down and down. Wed 2nd Aug I completely see your point.it's not by Disney so I suspect the X-Factor in Disney's poor performance is themselves and not their politics. The latest Barbie movie is supposed to have feminist messaging and that's doing extremely well. ![]() I think attributing Disney's struggles (outside of the remakes) with their politics is giving the quality of their newer movies too much credit, if the movies were exactly the same with what you consider culture war points taken out do you really think Disney would be crushing the competition? I honestly doubt it. Or the period before they owned Pixar where Pixar and Dreamworks 3D were wrecking Disney's 2D films. It's not unlike before The Little Mermaid where Don Bluth was beating them with Secret of Nimh, Land before Time, etc. ![]() I think Disney just generally struggle in an environment where their competition is on an even playing field or are ahead of them. Just think of 2005 where Pixars films looked fare ahead anyone but Dreamworks or Sony (and even then they were still). ![]() The 3D tech advantage Disney & Pixar had over other studios has narrowed. They haven't had a hit film since Frozen 2. I think Disney are doing worse in general, regardless of what values to push. Wed 2nd Aug I'd sort of disagree with you there.Justine's major rival was Molly Holly, and it just so happens that Molly Holly is now a producer backstage at WWE working with the Superstar that you control. The male storyline, called "The Lock" sees you take control of a popular independent wrestler getting his big break on WWE with a gimmick where he is called "The Lock." On the women's side, players take control of a female WWE superstar that is the niece of a fictional Ruthless Aggression Era WWE Diva known as Justine. In the video embedded above, Smacktalks provides a rundown of all of the changes to Universe Mode this year.Īlso, this year, there is a new MyRise Mode, with two new storylines for both male and female created superstars. Superstar mode is also returning this year, allowing players to specifically focus on one WWE Superstar to control through Universe Mode, acting similarly to Career Modes from days gone by. For those who want zero restrictions, the momentum system can be shut off for complete freedom. This year, 2K Games has allowed players to completely control rivalries with a new system that directly allows players to choose the exact cutscenes they want to see play out in their rivalry matches, dictating exactly how much intensity is added to a rivalry week-by-week.įor players who want to be reined in, there is a momentum system, and this momentum can be spent on special cutscenes taking place before, during, or after rivalries, allowing players to map out their shows. MJF Defeats Adam Cole, Retains AEW World Title And His Best Friend At AEW All In
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